Inter

by Rasmus Andersson

Thin

Italic

100

Extra Light

Italic

200

Light

Italic

300

Regular

Italic

400

Medium

Italic

500

Semi Bold

Italic

600

Bold

Italic

700

Extra Bold

Italic

800

Black

Italic

900

Description

Inter is a versatile typeface designed especially for screens. It’s an excellent choice for general user interface needs, but can also work well for body copy and headlines.

Designed by

Rasmus Andersson

Category

Sans-Serif

No. of styles

Variable

Aa
Bb
Cc
Dd
Ee
Ff
Gg
Hh
Ii
Jj
Kk
Ll
Mm
Nn
Oo
Pp
Qq
Rr
Ss
Tt
Uu
Vv
Ww
Xx
Yy
Zz
Åå
Ææ
Çç
Éé
Øø
Ññ
Üü
Žž
1234567890
‘¿?’
“!”
- – —
(&)
[*]
{@}
€£¥$¢
:;,.
<>+÷×=

Words

Questography

Havana Plywood

Château d’Yquem

hamburgevontpids

Högertrafikomläggningen

difficult waffles

Headlines

Brawny gods just flocked up to quiz and vex him

100

Amazingly few discotheques provide jukeboxes

200

Why shouldn’t a quixotic Kazakh vampire jog barefoot?

300

Grumpy wizards make a toxic brew for the jovial queen

400

Jackie will budget for the most expensive zoology equipment

500

Monsieur Jack, vous dactylographiez bien mieux que votre ami Wolf

600

Jeg begynte å fortære en sandwich mens jeg kjørte taxi på vei til quiz

700

Victor jagt zwölf Boxkämpfer quer über den großen Sylter Deich

800

Gazeta publica hoje no jornal uma breve nota de faxina na quermesse

900

Italic Headlines

Brawny gods just flocked up to quiz and vex him

100

Amazingly few discotheques provide jukeboxes

200

Why shouldn’t a quixotic Kazakh vampire jog barefoot?

300

Grumpy wizards make a toxic brew for the jovial queen

400

Jackie will budget for the most expensive zoology equipment

500

Monsieur Jack, vous dactylographiez bien mieux que votre ami Wolf

600

Jeg begynte å fortære en sandwich mens jeg kjørte taxi på vei til quiz

700

Victor jagt zwölf Boxkämpfer quer über den großen Sylter Deich

800

Gazeta publica hoje no jornal uma breve nota de faxina na quermesse

900

Paragraphs

font-weight: 400

But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free sub­ject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?

But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free sub­ject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?

But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free sub­ject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?

But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free sub­ject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?

But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free sub­ject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?

Discretionary Ligatures

font-feature-settings: 'dlig';

!? !?
?! ?!

Contextual Alternates

font-feature-settings: 'calt';

3x9 3x9
12:56 12:56
FE—X FE—X
(SEMI) (SEMI)
C@T C@T
:-) :-)

Figures

1234567890

Proportional Lining: 'pnum', 'lnum'

1234567890

Tabular Lining: 'tnum', 'lnum'

1/2 3/4 5/6 7/8 90/123

Fractions: 'frac'

0 0

Slashed Zero: 'zero'

A12345abcde

Subscripts: 'subs'

A12345abcde

Superscripts: 'sups'

Ordinals

font-feature-settings: 'ordn';

3a 3a
4o 4o
No. No.

Case Sensitive Forms

font-feature-settings: 'case';

(A) (A)
{A} {A}
[A] [A]
- -
@ @

Alternate Glyph Forms

font-feature-settings: 'ss--';

13469 13469

'ss01'

0Illß 0Illß

'ss02'

baroreceptor baroreceptor

'ss03'

Special Characters

Explore all characters

&#9398;

&#9423;

🄰

&#127280;

🅉

&#127305;

&#57658;

&#57659;

&#9733;

&uarr;

&nearr;

&rarr;

&searr;

&darr;

&swarr;

&larr;

&nwarr;

&harr;

&updownarrow;

&para;

§

&sect;

&dagger;

&Dagger;

Inter compared with other typefaces

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Inter

hamburgevontpids

Cooper Hewitt

hamburgevontpids

Jost

hamburgevontpids

Libre Franklin

hamburgevontpids

Manrope

Recommended Pairings for Inter

The Tired Vegetarian

All of these recipes are simplified versions of more complex and time consuming meals. They are perfect for those moments where you simply don’t want to cook, but would rather not not eat.

Paired with Messapia