Work Sans
by Wei Huang

Thin Italic 100

ExtraLight Italic 200

Light Italic 300

Regular Italic 400

Medium Italic 500

SemiBold Italic 600

Bold Italic 700

ExtraBold Italic 800

Black Italic 900

Description

Work Sans is a sans-serif inspired by early Grotesque faces. It recently received a major update, adding an italic style and a wide selection of OpenType features. The face has a slightly playful feel, especially at heavier weights.

Designed by

Wei Huang

Category

Sans-Serif

No. of styles

18

Characters

Aa
Bb
Cc
Dd
Ee
Ff
Gg
Hh
Ii
Jj
Kk
Ll
Mm
Nn
Oo
Pp
Qq
Rr
Ss
Tt
Uu
Vv
Ww
Xx
Yy
Zz
Åå
Ææ
Çç
Éé
Øø
Ññ
Üü
Žž
1234567890
‘¿?’
“!”
- – —
(&)
[*]
{@}
€£¥$¢
:;,.
<>+÷×=

Words

Questography

Havana Plywood

qualification

Château d’Yquem

hamburgevontpids

Högertrafikomläggningen

difficult waffles

Headlines

Brawny gods just flocked up to quiz and vex him

100

Amazingly few discotheques provide jukeboxes

200

Why shouldn’t a quixotic Kazakh vampire jog barefoot?

300

Grumpy wizards make a toxic brew for the jovial queen

400

Jackie will budget for the most expensive zoology equipment

500

Monsieur Jack, vous dactylographiez bien mieux que votre ami Wolf

600

Jeg begynte å fortære en sandwich mens jeg kjørte taxi på vei til quiz

700

Victor jagt zwölf Boxkämpfer quer über den großen Sylter Deich

800

Gazeta publica hoje no jornal uma breve nota de faxina na quermesse

900

Italic headlines

Brawny gods just flocked up to quiz and vex him

100

Amazingly few discotheques provide jukeboxes

200

Why shouldn’t a quixotic Kazakh vampire jog barefoot?

300

Grumpy wizards make a toxic brew for the jovial queen

400

Jackie will budget for the most expensive zoology equipment

500

Monsieur Jack, vous dactylographiez bien mieux que votre ami Wolf

600

Jeg begynte å fortære en sandwich mens jeg kjørte taxi på vei til quiz

700

Victor jagt zwölf Boxkämpfer quer über den großen Sylter Deich

800

Gazeta publica hoje no jornal uma breve nota de faxina na quermesse

900

Paragraphs

font-weight: 400

But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free sub­ject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?

But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free sub­ject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?

But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free sub­ject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?

But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free sub­ject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?

But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free sub­ject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?

Paragraphs

font-weight: 500

But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free sub­ject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?

But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free sub­ject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?

But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free sub­ject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?

But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free sub­ject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?

But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free sub­ject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?

Smallcap headlines

font-feature-settings: 'smcp';

Brawny gods just flocked up to quiz and vex him

400

Amazingly few discotheques provide jukeboxes

500

Why shouldn’t a quixotic Kazakh vampire jog barefoot?

600

Brawny gods just flocked up to quiz and vex him

400

Amazingly few discotheques provide jukeboxes

500

Why shouldn’t a quixotic Kazakh vampire jog barefoot?

600

Grumpy wizards make a toxic brew for the jovial queen

700

Jackie will budget for the most expensive zoology equipment

800

Monsieur Jack, vous dactylographiez bien mieux que votre ami Wolf

900

Discretionary Ligatures

font-feature-settings: 'dlig';

ct ct
st st
(1) (1)
(2) (2)
(3) (3)
(4) (4)
(5) (5)
(6) (6)
(7) (7)
(8) (8)
(9) (9)

Titling Alternates

font-feature-settings: 'titl';

Ä Ä
Ö Ö
Ü Ü

Figures

1234567890

Proportional Oldstyle (default): 'pnum', 'onum'

1234567890

Tabular Oldstyle: 'tnum', 'onum'

1234567890

Proportional Lining: 'pnum', 'lnum'

1234567890

Tabular Lining: 'tnum', 'lnum';

1234567890

Small Caps: 'smcp';

0 0

Slashed Zero: 'zero'

1/2 3/4 5/6 7/8 90/123

Fractions: 'frac';

A1234567890

Subscripts: 'subs'

A1234567890

Superscripts: 'sups'

Ordinals

font-feature-settings: 'ordn';

3a 3a
4o 4o
No. No.

Contextual Swashes

font-feature-settings: 'cswh';

AR AR
EL EL
FE FE
MN MN
S S
T T
W W
n n
r r
t t
y y

Alternate Glyph Forms

font-feature-settings: 'ss--';

G G

'ss06'

R R

'ss01'

a a

'ss06'

g g

'ss01'

l l

'ss02'

Case Sensitive Forms

font-feature-settings: 'case';

(A) (A)
{A} {A}
[A] [A]
- -
@ @
¿ ¿

Special Characters and Symbols

&para;

§

&sect;

&dagger;

&Dagger;

&uarr;

&nearr;

&rarr;

&searr;

&darr;

&swarr;

&larr;

&nwarr;

&harr;

&updownarrow;

&hookleftarrow;

&hookrightarrow;

&circlearrowleft;

&circlearrowright;

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