BioRhyme Expanded
- Get the font
- Download↗Get on Google Fonts↗
- Designed by
- Aoife Mooney
- Category
- Display
- No. of styles
- 5
- Glyphs
- 494
- Last Updated
- 30 Aug 2023
- Other faces in family
- BioRhyme
Extra-Light
200
Light
300
Regular
400
Bold
700
Extra-Bold
800
Characters
BioRhyme Expanded pushes Aoife Mooney’s slab-serif design to its logical horizontal boundary, trading the compact cadence of text setting for the deliberate sprawl of nineteenth-century broadsides. Where the standard width maintains just enough discipline to handle short paragraphs and captions, the Expanded cut leans entirely into its spatial footprint. Published under the SIL Open Font License, it exists primarily to claim territory across the page—not through sheer weight or towering vertical height, but through an expansive, lateral stride that reshapes how white space behaves around words.
The anatomy of the face exaggerates the low-slung, grounded qualities of the Egyptian genre. Counters open into broad, light-filled chambers, while the truncated ascenders and descenders further emphasize the horizontal pull of the line. The unbracketed, rectilinear slabs that cap the vertical stems act like masonry footings, anchoring each character firmly to the baseline. Mooney’s signature gestures—most notably the sweeping, calligraphic leg of the capital R and the broad bowls of the lowercase—gain considerable breathing room at this scale. In composition, the typeface requires generous leading; set too closely, its wide-set slabs and deliberate tracking easily crowd adjacent lines. It casts a distinct, rhythmically punctuated texture that establishes clear hierarchy in titles and short editorial phrases without needing to resort to heavy ink weights.
Across its spectrum from Extra Light to Extra Bold, the design remains an unapologetically specialized display instrument. Its sheer breadth disqualifies it from continuous reading or narrow columns, where it produces erratic ragging and awkward hyphenation. Instead, it finds its purpose on book jackets, poster layouts, packaging, and interface headers—environments where language can be isolated, slowed down, and given room to register. Within the open-source catalog, BioRhyme Expanded provides a useful counterweight to the prevailing fleet of condensed editorial serifs: an unhurried, wide-bodied design that understands how to command space through proportion rather than volume alone.
Words
Questography
difficult waffles
Havana Plywood
Château d’Yquem
Högertrafikomläggningen
hamburgevontpids
Headlines
Extra-Light · 200
Brawny gods just flocked up to quiz and vex him
Brawny gods just flocked up to quiz and vex him
Light · 300
Amazingly few discotheques provide jukeboxes
Amazingly few discotheques provide jukeboxes
Regular · 400
Why shouldn’t a quixotic Kazakh vampire jog barefoot?
Why shouldn’t a quixotic Kazakh vampire jog barefoot?
Bold · 700
Grumpy wizards make a toxic brew for the jovial queen
Grumpy wizards make a toxic brew for the jovial queen
Extra-Bold · 800
Jackie will budget for the most expensive zoology equipment
Jackie will budget for the most expensive zoology equipment
Paragraphs
With matted beard, and swathed in a bristling shark-skin apron, about mid-day, Perth was standing between his forge and anvil, the latter placed upon an iron-wood log, with one hand holding a pike-head in the coals, and with the other at his forge’s lungs, when Captain Ahab came along, carrying in his hand a small rusty-looking leathern bag. While yet a little distance from the forge, moody Ahab paused; till at last, Perth, withdrawing his iron from the fire, began hammering it upon the anvil—the red mass sending off the sparks in thick hovering flights, some of which flew close to Ahab. “Are these thy Mother Carey’s chickens, Perth? they are always flying in thy wake; birds of good omen, too, but not to all;—look here, they burn; but thou—thou liv’st among them without a scorch.” “Because I am scorched all over, Captain Ahab,” answered Perth, resting for a moment on his hammer; “I am past scorching; not easily can’st thou scorch a scar.” “Well, well; no more. Thy shrunk voice sounds too calmly, sanely woeful to me. In no Paradise myself, I am impatient of all misery in others that is not mad. Thou should’st go mad, blacksmith; say, why dost thou not go mad? How can’st thou endure without being mad? Do the heavens yet hate thee, that thou can’st not go mad?—What wert thou making there?”
With matted beard, and swathed in a bristling shark-skin apron, about mid-day, Perth was standing between his forge and anvil, the latter placed upon an iron-wood log, with one hand holding a pike-head in the coals, and with the other at his forge’s lungs, when Captain Ahab came along, carrying in his hand a small rusty-looking leathern bag. While yet a little distance from the forge, moody Ahab paused; till at last, Perth, withdrawing his iron from the fire, began hammering it upon the anvil—the red mass sending off the sparks in thick hovering flights, some of which flew close to Ahab. “Are these thy Mother Carey’s chickens, Perth? they are always flying in thy wake; birds of good omen, too, but not to all;—look here, they burn; but thou—thou liv’st among them without a scorch.” “Because I am scorched all over, Captain Ahab,” answered Perth, resting for a moment on his hammer; “I am past scorching; not easily can’st thou scorch a scar.” “Well, well; no more. Thy shrunk voice sounds too calmly, sanely woeful to me. In no Paradise myself, I am impatient of all misery in others that is not mad. Thou should’st go mad, blacksmith; say, why dost thou not go mad? How can’st thou endure without being mad? Do the heavens yet hate thee, that thou can’st not go mad?—What wert thou making there?”
With matted beard, and swathed in a bristling shark-skin apron, about mid-day, Perth was standing between his forge and anvil, the latter placed upon an iron-wood log, with one hand holding a pike-head in the coals, and with the other at his forge’s lungs, when Captain Ahab came along, carrying in his hand a small rusty-looking leathern bag. While yet a little distance from the forge, moody Ahab paused; till at last, Perth, withdrawing his iron from the fire, began hammering it upon the anvil—the red mass sending off the sparks in thick hovering flights, some of which flew close to Ahab. “Are these thy Mother Carey’s chickens, Perth? they are always flying in thy wake; birds of good omen, too, but not to all;—look here, they burn; but thou—thou liv’st among them without a scorch.” “Because I am scorched all over, Captain Ahab,” answered Perth, resting for a moment on his hammer; “I am past scorching; not easily can’st thou scorch a scar.” “Well, well; no more. Thy shrunk voice sounds too calmly, sanely woeful to me. In no Paradise myself, I am impatient of all misery in others that is not mad. Thou should’st go mad, blacksmith; say, why dost thou not go mad? How can’st thou endure without being mad? Do the heavens yet hate thee, that thou can’st not go mad?—What wert thou making there?”
Standard Ligatures
font-feature-settings: 'liga';
Figures
1234567890
Proportional Lining (default)
1/2 3/4
Fractions: 'frac'
0
Slashed Zero: 'zero'
H13
Numerators: 'numr'
H2
Denominators: 'dnom'
H123
Superscripts: 'sups'
Ordinals
font-feature-settings: 'ordn';
Stylistic Sets
font-feature-settings: 'ss--';
'ss01'
'ss02'
'ss03'
'ss04'
'ss07'
'ss08'
Swashes
font-feature-settings: 'swsh';
Case Sensitive Forms
font-feature-settings: 'case';
Catalan · 'case'
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