Source Serif Pro

by Frank Grießhammer

Extra Light

Italic

200

Light

Italic

300

Regular

Italic

400

Medium

Italic

500

Semi Bold

Italic

600

Bold

Italic

700

Extra Bold

Italic

800

Black

Italic

900

Description

Source Serif Pro was created as a companion to the Source Sans Pro typeface by Adobe. It exhibits a distinctive personality at each of its six weights, with a beautiful italic that remains useful from the lightest to the heaviest weights.

Designed by

Frank Grießhammer

Category

Serif

No. of styles

Variable

Other faces in family

Aa
Bb
Cc
Dd
Ee
Ff
Gg
Hh
Ii
Jj
Kk
Ll
Mm
Nn
Oo
Pp
Qq
Rr
Ss
Tt
Uu
Vv
Ww
Xx
Yy
Zz
Åå
Ææ
Çç
Éé
Øø
Ññ
Üü
Žž
1234567890
‘¿?’
“!”
- – —
(&)
[*]
{@}
€£¥$¢
:;,.
<>+÷×=

Words

Questography

Havana Plywood

Château d’Yquem

hamburgevontpids

Högertrafikomläggningen

difficult waffles

Headlines

Brawny gods just flocked up to quiz and vex him

200

Amazingly few discotheques provide jukeboxes

300

Why shouldn’t a quixotic Kazakh vampire jog barefoot?

400

Grumpy wizards make a toxic brew for the jovial queen

500

Jackie will budget for the most expensive zoology equipment

600

Monsieur Jack, vous dactylographiez bien mieux que votre ami Wolf

700

Jeg begynte å fortære en sandwich mens jeg kjørte taxi på vei til quiz

800

Victor jagt zwölf Boxkämpfer quer über den großen Sylter Deich

900

Italic Headlines

Brawny gods just flocked up to quiz and vex him

200

Amazingly few discotheques provide jukeboxes

300

Why shouldn’t a quixotic Kazakh vampire jog barefoot?

400

Grumpy wizards make a toxic brew for the jovial queen

500

Jackie will budget for the most expensive zoology equipment

600

Monsieur Jack, vous dactylographiez bien mieux que votre ami Wolf

700

Jeg begynte å fortære en sandwich mens jeg kjørte taxi på vei til quiz

800

Victor jagt zwölf Boxkämpfer quer über den großen Sylter Deich

900

Paragraphs

font-weight: 400

But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free sub­ject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?

But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free sub­ject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?

But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free sub­ject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?

But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free sub­ject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?

But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free sub­ject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?

Smallcap headlines

font-feature-settings: 'smcp';

Brawny gods just flocked up to quiz and vex him

200

Amazingly few discotheques provide jukeboxes

300

Why shouldn’t a quixotic Kazakh vampire jog barefoot?

400

Grumpy wizards make a toxic brew for the jovial queen

500

Jackie will budget for the most expensive zoology equipment

600

Monsieur Jack, vous dactylographiez bien mieux que votre ami Wolf

700

Jeg begynte å fortære en sandwich mens jeg kjørte taxi på vei til quiz

800

Victor jagt zwölf Boxkämpfer quer über den großen Sylter Deich

900

Standard Ligatures

font-feature-settings: 'liga', 'clig';

ff ff
ff ff
ffi ffi
ffi ffi
ffj ffj
ffj ffj
fi fi
fi fi
fj fj
fj fj
fl fl
fl fl
ffl ffl
ffl ffl
ft ft
ft ft
fft fft

Figures

1234567890

Proportional Oldstyle: 'pnum', 'onum'

1234567890

Tabular Oldstyle: 'tnum', 'onum'

1234567890

Proportional Lining (default): 'pnum', 'lnum'

1234567890

Tabular Lining: 'tnum', 'lnum'

1234567890

Small Caps: 'smcp'

0 0

Slashed Zero: 'zero'

1/2 3/4 5/6 7/8 90/123

Fractions: 'frac'

A1234567890

Subscripts: 'subs'

A1234567890

Superscripts: 'sups'

Ordinals

font-feature-settings: 'ordn';

1st 1st
2nd 2nd
3a 3a
4o 4o
No No

Special Characters

Explore all characters

&uarr;

&nearr;

&rarr;

&searr;

&darr;

&swarr;

&larr;

&nwarr;

&#9650;

&#9654;

&#9660;

&#9664;

&para;

§

&sect;

&dagger;

&Dagger;

Source Serif Pro compared with other typefaces

hamburgevontpids

Source Serif Pro

hamburgevontpids

Source Sans Pro

hamburgevontpids

IBM Plex Serif

hamburgevontpids

Inria Serif

hamburgevontpids

Lora

Recommended Pairings for Source Serif Pro

Out to
Lunch!
Eric
Dolphy

Out to Lunch stands as Eric Dolphy’s magnum opus, an absolute pinnacle of avant-garde jazz in any form or era. Its rhythmic complexity was perhaps unrivaled since Dave Brubeck’s Time Out, and its five Dolphy originals—the jarring Monk tribute “Hat and Beard,” the aptly titled “Something Sweet, Something Tender,” the weirdly jaunty flute showcase “Gazzelloni,” the militaristic title track, the drunken lurch of “Straight Up and Down”—were a perfect balance of structured frameworks, carefully calibrated timbres, and generous individual freedom. — AllMusic Review by Steve Huey

Paired with Libre Franklin

The Coming of Age of
Quantum Biology

Life on
the Edge

Johnjoe McFadden
& Jim Al-Khalili

Paired with Oswald