Crimson Pro

by Jacques Le Bailly

Extra Light

Italic

200

Light

Italic

300

Regular

Italic

400

Medium

Italic

500

Bold

Italic

700

Extra Bold

Italic

800

Black

Italic

900

Description

Released in January 2019, Crimson Pro is a redesign of the Crimson face by Sebastian Kosch. It’s ideal for long-form texts where readability is key.

Designed by

Jacques Le Bailly

Category

Serif

No. of styles

Variable

Aa
Bb
Cc
Dd
Ee
Ff
Gg
Hh
Ii
Jj
Kk
Ll
Mm
Nn
Oo
Pp
Qq
Rr
Ss
Tt
Uu
Vv
Ww
Xx
Yy
Zz
Åå
Ææ
Çç
Éé
Øø
Ññ
Üü
Žž
1234567890
‘¿?’
“!”
- – —
(&)
[*]
{@}
€£¥$¢
:;,.
<>+÷×=

Words

Questography

Havana Plywood

Château d’Yquem

hamburgevontpids

Högertrafikomläggningen

difficult waffles

Headlines

Brawny gods just flocked up to quiz and vex him

200

Amazingly few discotheques provide jukeboxes

300

Why shouldn’t a quixotic Kazakh vampire jog barefoot?

400

Grumpy wizards make a toxic brew for the jovial queen

500

Jackie will budget for the most expensive zoology equipment

700

Monsieur Jack, vous dactylographiez bien mieux que votre ami Wolf

800

Jeg begynte å fortære en sandwich mens jeg kjørte taxi på vei til quiz

900

Italic Headlines

Brawny gods just flocked up to quiz and vex him

200

Amazingly few discotheques provide jukeboxes

300

Why shouldn’t a quixotic Kazakh vampire jog barefoot?

400

Grumpy wizards make a toxic brew for the jovial queen

500

Jackie will budget for the most expensive zoology equipment

700

Monsieur Jack, vous dactylographiez bien mieux que votre ami Wolf

800

Jeg begynte å fortære en sandwich mens jeg kjørte taxi på vei til quiz

900

Paragraphs

font-weight: 400

But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free sub­ject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?

But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free sub­ject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?

But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free sub­ject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?

But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free sub­ject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?

But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free sub­ject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?

Standard Ligatures

font-feature-settings: 'liga', 'clig';

ffi ffi
ffi ffi
fi fi
fi fi

Discretionary Ligatures

font-feature-settings: 'dlig';

ch ch
ch ch
ct ct
ct ct
fj fj
st st
st st
Th Th

Figures

1234567890

Proportional Oldstyle (default): 'pnum', 'onum'

1234567890

Tabular Oldstyle: 'tnum', 'onum'

1234567890

Proportional Lining: 'pnum', 'lnum'

1234567890

Tabular Lining: 'tnum', 'lnum'

1/2 3/4 5/6 7/8 90/123

Fractions: 'frac'

A1234567890

Subscripts: 'subs'

A1234567890

Superscripts: 'sups'

Ordinals

font-feature-settings: 'ordn';

3a 3a
4o 4o
No. No.

Special Characters

Explore all characters

&#9753;

&#10087;

&#63743;

&para;

§

&sect;

&dagger;

&Dagger;

Crimson Pro compared with similar typefaces

hamburgevontpids

Crimson Pro

hamburgevontpids

Vollkorn

hamburgevontpids

Source Serif Pro