Hubot Sans
Extra Light
Italic
200
Light
Italic
300
Regular
Italic
400
Medium
Italic
500
Semi Bold
Italic
600
Bold
Italic
700
Extra Bold
Italic
800
Black
Italic
900
Characters
Hubot Sans was commissioned alongside its sister family Mona Sans by GitHub and drafted by the creative studio Degarism, released in late 2022 under the SIL Open Font License. Conceived as the robotic, technocratic counterpart to Mona Sans’s industrial chassis, the face was engineered to lend GitHub’s developer ecosystem an overtly digital, futuristic persona. Rather than adhering to the clinical neutrality of standard screen grotesques, Hubot Sans draws inspiration from the synthetic geometry of early science-fiction cinema, 1980s arcade titling, and cathode-ray terminal graphics, translating computational nostalgia into a contemporary variable system.
Anatomically, the design pushes the super-elliptical curves of Mona Sans toward an aggressive, modular geometry. Rounded strokes are disciplined into flattened perimeters and chamfered, angular corners that suggest cut sheet metal or pixel-grid constraints. Its counters are boxy and open, admitting clean light into the glyph interiors, while terminals shear along rigid horizontal and vertical planes to reinforce an unyielding architectural posture. The family is powered by the same three-axis variable architecture as its companion, modulating seamlessly across Weight (UltraLight to Black), Width (Condensed to Expanded), and Slant. In its condensed configurations, it mimics the high-density readouts of radar displays and hardware manifests; dialed outward to its widest cuts, its squared, broad-shouldered stance turns characters like O, C, and G into cinematic, high-impact display forms.
This assertive geometry clearly dictates its operational territory. Hubot Sans is deliberately ill-suited to continuous narrative prose or classical literature, where its mechanical corners, low stroke contrast, and boxy gait would quickly exhaust the reading eye. Instead, it thrives in developer platforms, gaming interfaces, technical dashboards, micro-badges, and high-impact digital branding. When deployed across short bursts of language, section headers, and promotional graphics, it communicates technological precision and graphic authority with immediate clarity. Within the open catalog, Hubot Sans stands as an imaginative exploration of retro-futurism, showing how a dedicated display companion can expand a corporate identity into expressive, theme-driven territory.
Words
Questography
difficult waffles
Havana Plywood
Château d’Yquem
Högertrafikomläggningen
hamburgevontpids
Headlines
Extra Light · 200
Brawny gods just flocked up to quiz and vex him
Extra Light Italic · 200
Brawny gods just flocked up to quiz and vex him
Light · 300
Amazingly few discotheques provide jukeboxes
Light Italic · 300
Amazingly few discotheques provide jukeboxes
Regular · 400
Why shouldn’t a quixotic Kazakh vampire jog barefoot?
Regular Italic · 400
Why shouldn’t a quixotic Kazakh vampire jog barefoot?
Medium · 500
Grumpy wizards make a toxic brew for the jovial queen
Medium Italic · 500
Grumpy wizards make a toxic brew for the jovial queen
Semi Bold · 600
Jackie will budget for the most expensive zoology equipment
Semi Bold Italic · 600
Jackie will budget for the most expensive zoology equipment
Bold · 700
Monsieur Jack, vous dactylographiez bien mieux que votre ami Wolf
Bold Italic · 700
Monsieur Jack, vous dactylographiez bien mieux que votre ami Wolf
Extra Bold · 800
Jeg begynte å fortære en sandwich mens jeg kjørte taxi på vei til quiz
Extra Bold Italic · 800
Jeg begynte å fortære en sandwich mens jeg kjørte taxi på vei til quiz
Black · 900
Victor jagt zwölf Boxkämpfer quer über den großen Sylter Deich
Black Italic · 900
Victor jagt zwölf Boxkämpfer quer über den großen Sylter Deich
Paragraphs
With matted beard, and swathed in a bristling shark-skin apron, about mid-day, Perth was standing between his forge and anvil, the latter placed upon an iron-wood log, with one hand holding a pike-head in the coals, and with the other at his forge’s lungs, when Captain Ahab came along, carrying in his hand a small rusty-looking leathern bag. While yet a little distance from the forge, moody Ahab paused; till at last, Perth, withdrawing his iron from the fire, began hammering it upon the anvil—the red mass sending off the sparks in thick hovering flights, some of which flew close to Ahab. “Are these thy Mother Carey’s chickens, Perth? they are always flying in thy wake; birds of good omen, too, but not to all;—look here, they burn; but thou—thou liv’st among them without a scorch.” “Because I am scorched all over, Captain Ahab,” answered Perth, resting for a moment on his hammer; “I am past scorching; not easily can’st thou scorch a scar.” “Well, well; no more. Thy shrunk voice sounds too calmly, sanely woeful to me. In no Paradise myself, I am impatient of all misery in others that is not mad. Thou should’st go mad, blacksmith; say, why dost thou not go mad? How can’st thou endure without being mad? Do the heavens yet hate thee, that thou can’st not go mad?—What wert thou making there?”
With matted beard, and swathed in a bristling shark-skin apron, about mid-day, Perth was standing between his forge and anvil, the latter placed upon an iron-wood log, with one hand holding a pike-head in the coals, and with the other at his forge’s lungs, when Captain Ahab came along, carrying in his hand a small rusty-looking leathern bag. While yet a little distance from the forge, moody Ahab paused; till at last, Perth, withdrawing his iron from the fire, began hammering it upon the anvil—the red mass sending off the sparks in thick hovering flights, some of which flew close to Ahab. “Are these thy Mother Carey’s chickens, Perth? they are always flying in thy wake; birds of good omen, too, but not to all;—look here, they burn; but thou—thou liv’st among them without a scorch.” “Because I am scorched all over, Captain Ahab,” answered Perth, resting for a moment on his hammer; “I am past scorching; not easily can’st thou scorch a scar.” “Well, well; no more. Thy shrunk voice sounds too calmly, sanely woeful to me. In no Paradise myself, I am impatient of all misery in others that is not mad. Thou should’st go mad, blacksmith; say, why dost thou not go mad? How can’st thou endure without being mad? Do the heavens yet hate thee, that thou can’st not go mad?—What wert thou making there?”
With matted beard, and swathed in a bristling shark-skin apron, about mid-day, Perth was standing between his forge and anvil, the latter placed upon an iron-wood log, with one hand holding a pike-head in the coals, and with the other at his forge’s lungs, when Captain Ahab came along, carrying in his hand a small rusty-looking leathern bag. While yet a little distance from the forge, moody Ahab paused; till at last, Perth, withdrawing his iron from the fire, began hammering it upon the anvil—the red mass sending off the sparks in thick hovering flights, some of which flew close to Ahab. “Are these thy Mother Carey’s chickens, Perth? they are always flying in thy wake; birds of good omen, too, but not to all;—look here, they burn; but thou—thou liv’st among them without a scorch.” “Because I am scorched all over, Captain Ahab,” answered Perth, resting for a moment on his hammer; “I am past scorching; not easily can’st thou scorch a scar.” “Well, well; no more. Thy shrunk voice sounds too calmly, sanely woeful to me. In no Paradise myself, I am impatient of all misery in others that is not mad. Thou should’st go mad, blacksmith; say, why dost thou not go mad? How can’st thou endure without being mad? Do the heavens yet hate thee, that thou can’st not go mad?—What wert thou making there?”
Width
font-variation-settings: 'wdth';
'wdth' 75
'wdth' 100
'wdth' 125
Standard Ligatures
font-feature-settings: 'liga';
Figures
1234567890
Proportional Lining (default)
1234567890
Tabular Lining: 'tnum'
1/2 3/4
Fractions: 'frac'
H123
Numerators: 'numr'
H123
Denominators: 'dnom'
H123
Subscripts: 'subs'
H123
Scientific Inferiors: 'sinf'
H123
Superscripts: 'sups'
Ordinals
font-feature-settings: 'ordn';
Case Sensitive Forms
font-feature-settings: 'case';
Stylistic Sets
font-feature-settings: 'ss--';
'ss01' · Alternate accents
'ss02' · Alternate l
'ss03' · Alternate r
'ss04' · Alternate I
Loading glyphs…
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