Hubot Sans

Extra Light

Italic

200

Light

Italic

300

Regular

Italic

400

Medium

Italic

500

Semi Bold

Italic

600

Bold

Italic

700

Extra Bold

Italic

800

Black

Italic

900

Characters

Aa
Bb
Cc
Dd
Ee
Ff
Gg
Hh
Ii
Jj
Kk
Ll
Mm
Nn
Oo
Pp
Qq
Rr
Ss
Tt
Uu
Vv
Ww
Xx
Yy
Zz
Åå
Ææ
Çç
Éé
Øø
Ññ
Üü
Žž
1234567890
‘¿?’
“!”
- – —
(&)
[*]
{@}
€£¥$¢
:;,.
<>+÷×=

Hubot Sans was commissioned alongside its sister family Mona Sans by GitHub and drafted by the creative studio Degarism, released in late 2022 under the SIL Open Font License. Conceived as the robotic, technocratic counterpart to Mona Sans’s industrial chassis, the face was engineered to lend GitHub’s developer ecosystem an overtly digital, futuristic persona. Rather than adhering to the clinical neutrality of standard screen grotesques, Hubot Sans draws inspiration from the synthetic geometry of early science-fiction cinema, 1980s arcade titling, and cathode-ray terminal graphics, translating computational nostalgia into a contemporary variable system.

Anatomically, the design pushes the super-elliptical curves of Mona Sans toward an aggressive, modular geometry. Rounded strokes are disciplined into flattened perimeters and chamfered, angular corners that suggest cut sheet metal or pixel-grid constraints. Its counters are boxy and open, admitting clean light into the glyph interiors, while terminals shear along rigid horizontal and vertical planes to reinforce an unyielding architectural posture. The family is powered by the same three-axis variable architecture as its companion, modulating seamlessly across Weight (UltraLight to Black), Width (Condensed to Expanded), and Slant. In its condensed configurations, it mimics the high-density readouts of radar displays and hardware manifests; dialed outward to its widest cuts, its squared, broad-shouldered stance turns characters like O, C, and G into cinematic, high-impact display forms.

This assertive geometry clearly dictates its operational territory. Hubot Sans is deliberately ill-suited to continuous narrative prose or classical literature, where its mechanical corners, low stroke contrast, and boxy gait would quickly exhaust the reading eye. Instead, it thrives in developer platforms, gaming interfaces, technical dashboards, micro-badges, and high-impact digital branding. When deployed across short bursts of language, section headers, and promotional graphics, it communicates technological precision and graphic authority with immediate clarity. Within the open catalog, Hubot Sans stands as an imaginative exploration of retro-futurism, showing how a dedicated display companion can expand a corporate identity into expressive, theme-driven territory.

Words

Questography

difficult waffles

Havana Plywood

Château d’Yquem

Högertrafikomläggningen

hamburgevontpids

Headlines

Extra Light · 200

Brawny gods just flocked up to quiz and vex him

Extra Light Italic · 200

Brawny gods just flocked up to quiz and vex him

Light · 300

Amazingly few discotheques provide jukeboxes

Light Italic · 300

Amazingly few discotheques provide jukeboxes

Regular · 400

Why shouldn’t a quixotic Kazakh vampire jog barefoot?

Regular Italic · 400

Why shouldn’t a quixotic Kazakh vampire jog barefoot?

Medium · 500

Grumpy wizards make a toxic brew for the jovial queen

Medium Italic · 500

Grumpy wizards make a toxic brew for the jovial queen

Semi Bold · 600

Jackie will budget for the most expensive zoology equipment

Semi Bold Italic · 600

Jackie will budget for the most expensive zoology equipment

Bold · 700

Monsieur Jack, vous dactylographiez bien mieux que votre ami Wolf

Bold Italic · 700

Monsieur Jack, vous dactylographiez bien mieux que votre ami Wolf

Extra Bold · 800

Jeg begynte å fortære en sandwich mens jeg kjørte taxi på vei til quiz

Extra Bold Italic · 800

Jeg begynte å fortære en sandwich mens jeg kjørte taxi på vei til quiz

Black · 900

Victor jagt zwölf Boxkämpfer quer über den großen Sylter Deich

Black Italic · 900

Victor jagt zwölf Boxkämpfer quer über den großen Sylter Deich

Paragraphs

With matted beard, and swathed in a bristling shark-skin apron, about mid-day, Perth was standing between his forge and anvil, the latter placed upon an iron-wood log, with one hand holding a pike-head in the coals, and with the other at his forge’s lungs, when Captain Ahab came along, carrying in his hand a small rusty-looking leathern bag. While yet a little distance from the forge, moody Ahab paused; till at last, Perth, withdrawing his iron from the fire, began hammering it upon the anvil—the red mass sending off the sparks in thick hovering flights, some of which flew close to Ahab. “Are these thy Mother Carey’s chickens, Perth? they are always flying in thy wake; birds of good omen, too, but not to all;—look here, they burn; but thou—thou liv’st among them without a scorch.” “Because I am scorched all over, Captain Ahab,” answered Perth, resting for a moment on his hammer; “I am past scorching; not easily can’st thou scorch a scar.” “Well, well; no more. Thy shrunk voice sounds too calmly, sanely woeful to me. In no Paradise myself, I am impatient of all misery in others that is not mad. Thou should’st go mad, blacksmith; say, why dost thou not go mad? How can’st thou endure without being mad? Do the heavens yet hate thee, that thou can’st not go mad?—What wert thou making there?”

With matted beard, and swathed in a bristling shark-skin apron, about mid-day, Perth was standing between his forge and anvil, the latter placed upon an iron-wood log, with one hand holding a pike-head in the coals, and with the other at his forge’s lungs, when Captain Ahab came along, carrying in his hand a small rusty-looking leathern bag. While yet a little distance from the forge, moody Ahab paused; till at last, Perth, withdrawing his iron from the fire, began hammering it upon the anvil—the red mass sending off the sparks in thick hovering flights, some of which flew close to Ahab. “Are these thy Mother Carey’s chickens, Perth? they are always flying in thy wake; birds of good omen, too, but not to all;—look here, they burn; but thou—thou liv’st among them without a scorch.” “Because I am scorched all over, Captain Ahab,” answered Perth, resting for a moment on his hammer; “I am past scorching; not easily can’st thou scorch a scar.” “Well, well; no more. Thy shrunk voice sounds too calmly, sanely woeful to me. In no Paradise myself, I am impatient of all misery in others that is not mad. Thou should’st go mad, blacksmith; say, why dost thou not go mad? How can’st thou endure without being mad? Do the heavens yet hate thee, that thou can’st not go mad?—What wert thou making there?”

With matted beard, and swathed in a bristling shark-skin apron, about mid-day, Perth was standing between his forge and anvil, the latter placed upon an iron-wood log, with one hand holding a pike-head in the coals, and with the other at his forge’s lungs, when Captain Ahab came along, carrying in his hand a small rusty-looking leathern bag. While yet a little distance from the forge, moody Ahab paused; till at last, Perth, withdrawing his iron from the fire, began hammering it upon the anvil—the red mass sending off the sparks in thick hovering flights, some of which flew close to Ahab. “Are these thy Mother Carey’s chickens, Perth? they are always flying in thy wake; birds of good omen, too, but not to all;—look here, they burn; but thou—thou liv’st among them without a scorch.” “Because I am scorched all over, Captain Ahab,” answered Perth, resting for a moment on his hammer; “I am past scorching; not easily can’st thou scorch a scar.” “Well, well; no more. Thy shrunk voice sounds too calmly, sanely woeful to me. In no Paradise myself, I am impatient of all misery in others that is not mad. Thou should’st go mad, blacksmith; say, why dost thou not go mad? How can’st thou endure without being mad? Do the heavens yet hate thee, that thou can’st not go mad?—What wert thou making there?”

Stylistic sets
Size128
Weight400
Width75%

Width

font-variation-settings: 'wdth';

Flexible

'wdth' 75

Flexible

'wdth' 100

Flexible

'wdth' 125

Standard Ligatures

font-feature-settings: 'liga';

ffff
fifi
flfl
ffiffi
fflffl

Figures

1234567890

Proportional Lining (default)

1234567890

Tabular Lining: 'tnum'

1/2 3/4

Fractions: 'frac'

H123

Numerators: 'numr'

H123

Denominators: 'dnom'

H123

Subscripts: 'subs'

H123

Scientific Inferiors: 'sinf'

H123

Superscripts: 'sups'

Ordinals

font-feature-settings: 'ordn';

1st1st
3a3a

Case Sensitive Forms

font-feature-settings: 'case';

¿¡¿¡
H–HH–H

Stylistic Sets

font-feature-settings: 'ss--';

ÄéÄé

'ss01' · Alternate accents

ll

'ss02' · Alternate l

rr

'ss03' · Alternate r

II

'ss04' · Alternate I

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