Alegreya

by Huerta Tipográfica

Regular

Italic

400

Medium

Italic

500

Bold

Italic

700

Extra-Bold

Italic

800

Black

Italic

900

Description

Alegreya is a contemporary interpretation of a calligraphic face, designed for long-form literary texts. It offers five weights, a carefully designed italic, small caps, and good OpenType support. This rich typographic palette makes it a versatile and expressive typeface.

Designed by

Huerta Tipográfica

Category

Serif

No. of styles

10

Other faces in family

Aa
Bb
Cc
Dd
Ee
Ff
Gg
Hh
Ii
Jj
Kk
Ll
Mm
Nn
Oo
Pp
Qq
Rr
Ss
Tt
Uu
Vv
Ww
Xx
Yy
Zz
Åå
Ææ
Çç
Éé
Øø
Ññ
Üü
Žž
1234567890
‘¿?’
“!”
- – —
(&)
[*]
{@}
€£¥$¢
:;,.
<>+÷×=

Words

Questography

Havana Plywood

Château d’Yquem

hamburgevontpids

Högertrafikomläggningen

difficult waffles

Headlines

Brawny gods just flocked up to quiz and vex him

400

Amazingly few discotheques provide jukeboxes

500

Why shouldn’t a quixotic Kazakh vampire jog barefoot?

700

Grumpy wizards make a toxic brew for the jovial queen

800

Jackie will budget for the most expensive zoology equipment

900

Italic Headlines

Brawny gods just flocked up to quiz and vex him

400

Amazingly few discotheques provide jukeboxes

500

Why shouldn’t a quixotic Kazakh vampire jog barefoot?

700

Grumpy wizards make a toxic brew for the jovial queen

800

Jackie will budget for the most expensive zoology equipment

900

Paragraphs

font-weight: 400

But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free sub­ject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?

But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free sub­ject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?

But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free sub­ject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?

But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free sub­ject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?

But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free sub­ject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?

Smallcap headlines

font-feature-settings: 'smcp';

Brawny gods just flocked up to quiz and vex him

400

Amazingly few discotheques provide jukeboxes

500

Why shouldn’t a quixotic Kazakh vampire jog barefoot?

700

Grumpy wizards make a toxic brew for the jovial queen

800

Jackie will budget for the most expensive zoology equipment

900

Standard Ligatures

font-feature-settings: 'liga', 'clig';

ff ff
ff ff
ffi ffi
ffi ffi
ffj ffj
ffj ffj
ffl ffl
ffl ffl
fft fft
fft fft
fi fi
fi fi
fj fj
fj fj
ft ft
Th Th
Th Th

Discretionary Ligatures

font-feature-settings: 'dlig';

ch ch
ch ch
ct ct
ct ct
st st
st st

Figures

1234567890

Proportional Oldstyle (default): 'pnum', 'onum'

1234567890

Tabular Oldstyle: 'tnum', 'onum'

1234567890

Proportional Lining: 'pnum', 'lnum'

1234567890

Tabular Lining: 'tnum', 'lnum'

1/2 3/4 5/6 7/8 90/123

Fractions: 'frac'

A1234567890

Subscripts: 'subs'

A1234567890

Superscripts: 'sups'

Ordinals

font-feature-settings: 'ordn';

1st 1st
2nd 2nd
3a 3a
4o 4o
No No
No. No.

Alternate Glyph Forms

font-feature-settings: 'ss01';

XVLIII XVLIII
MDC MDC
mxlii mxlii
dxxvii dxxvii

Special Characters

Explore all characters

&uarr;

&nearr;

&rarr;

&searr;

&darr;

&swarr;

&larr;

&nwarr;

&harr;

&updownarrow;

&#9650;

&#9654;

&#9660;

&#9664;

&para;

§

&sect;

&dagger;

&Dagger;

Alegreya compared with other typefaces

hamburgevontpids

Alegreya

hamburgevontpids

Alegreya Sans

hamburgevontpids

IBM Plex Serif

hamburgevontpids

Source Serif Pro

hamburgevontpids

Vollkorn